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He arrived at the same time that the teddyboys were smashing up seats in cinemas when they went to see Rock Around the Clock (released March 1956). He a I think what happened was that after the huge horror of World War Two and the major effort to remake society in Britain (welfare state, National Health Service) there was a kind of national exhaustion, a slumping into armchairs, and those too young to have fought those battles took the exhaustion for complacency and in the early 50s got really fed up about it, and hence the Angry Young Men – Jimmy Porter in Look Back in Anger (first produced in May 1956) was more or less the first of those. I think what happened was that after the huge horror of World War Two and the major effort to remake society in Britain (welfare state, National Health Service) there was a kind of national exhaustion, a slumping into armchairs, and those too young to have fought those battles took the exhaustion for complacency and in the early 50s got really fed up about it, and hence the Angry Young Men – Jimmy Porter in Look Back in Anger (first produced in May 1956) was more or less the first of those. Savagely, sadly, and always impolitely, it compels readers and audiences to acknowledge the hidden currents of rottenness and rage in what used to be called "the good life.". Yet this working-class Hamlet, the original Angry Young Man, is one of the most mesmerizing characters ever to burst onto a stage, a malevolently vital, volcanically articulate internal exile in the dreary, dreaming Siberia of postwar England.įirst produced in 1956, Look Back in Anger launched a revolution in the English theater. He browbeats his flatmate, terrorizes his wife, and is not above sleeping with her best friend-who loathes Jimmy almost as much as he loathes himself. Yet this working-class Hamlet, the original Angry Young Man, is one o Electrifying in its urgency, cauterizing in its wit, this play blasted a gaping hole in the conventions of British drama. Electrifying in its urgency, cauterizing in its wit, this play blasted a gaping hole in the conventions of British drama.